Aman, Jane “Gothic Spaces and the Nation in Constance Fenimore Woolson’s Tales of the Great Lakes and Reconstruction.” In American Women’s Regionalist Fiction: Mapping the Gothic. Elbert and Bode, eds. London: Palgrave Gothic, Palgrave Macmillan, 2021.

Archimedes, Sondra M.  “The Implication of Lacanian Theory in the Writings of Constance Fenimore Woolson.”  Ph.D. diss., San Francisco State University, 1993.

Baro, Gene. After Appomattox: The Image of the South in Its Fiction, 1865-1900. New York: Corinth Books, 1963.

Barolini, Helen. Their Other Side: Six American Women and the Lure of Italy. New York, NY: Fordham University, 2006.

Baym, Nina. “Revising the Legacy of 1970s Feminist Criticism.” In Constance Fenimore Woolson’s Nineteenth Century: Essays, Victoria Brehm, ed. Detroit, MI: Wayne State University Press, 2001.

Beam, Dorri. Style, Gender, and Fantasy in Nineteenth-Century American Women’s Writing. Cambridge: Cambridge University Press, 2010.

_______. “Henry James, Constance Fenimore Woolson, and the Figure in the Carpet.” In American Literature’s Aesthetic Dimensions, Weinstein and Looby, eds.  New York: Columbia University Press, 2012.

Beer, Thomas. The Mauve Decade. New York: Knopf 1926.

Benedict, Clare. Five Generations (1785-1923). London: Ellis, 1929. 3 vols.  Vol. 1: Voices Out of The Past. Vol. 2: Constance Fenimore Woolson. Reprint. London: Ellis, 1932. Vol. 3: The Benedicts Abroad.

_______.  Constance Fenimore Woolson. London: Ellis, 1932.

Bentley, Nancy. Frantic Panoramas: American Literature and Mass Culture, 1870-1920. Philadelphia: University of Pennsylvania Press, 2009.

Berthoff, Werner. The Ferment of Realism: American Literature, 1884-1919.  Boston, MA: Cambridge University Press 1965.

Berthold, Dennis.  “Miss Martha and Miss Woolson: Persona in the Travel Sketches.” In Constance Fenimore Woolson’s Nineteenth Century: Essays, Victoria Brehm, ed.  Detroit, MI: Wayne State University Press, 2001.

Boyd [Rioux], Anne E. “From ‘Scribblers to Artists’:  The Emergence of Women Writers as Artists in America.” Ph.D. diss., Purdue University, 1998.

_______.  “Anticipating James, Anticipating Grief:  Constance Fenimore Woolson’s ‘Miss Grief.'”  In Constance Fenimore Woolson’s Nineteenth Century: Essays, Victoria Brehm, ed.  Detroit, MI:  Wayne State University Press, 2001

_______. Writing for Immortality: Women and the Emergence of High Literary Culture in America. Baltimore, MD: Johns Hopkins University Press, 2004.

_______. Wielding the Pen: Writings on Authorship by American Women of the Nineteenth Century. Baltimore: Johns Hopkins University Press, 2009.

_______. “Tourism, Imperialism, and Hybridity in the Reconstruction South: Constance Fenimore Woolson’s Rodman the Keeper: Southern Sketches.” The Southern Literary Journal, 43 (2): 2011.

_______ Rioux. Constance Fenimore Woolson: Portrait of a Lady Novelist. New York: W.W. Norton, 2016.

Boren Lynda S.  “‘Dear Constance,’ ‘Dear Henry’:  The Woolson/James Affair–Fact, Fiction, or Fine Art?” American Studies 27 (1982): 457-466.

_______.  “Constance Fenimore Woolson.” Dictionary of Literary Biography 12.  Detroit: Gale 1982: 456-463.

Brehm, Victoria.  “Island Fortresses: The Landscape of the Imagination in the Great Lakes Fiction of Constance Fenimore Woolson.”  American Literary Realism 22 (1990): 51-66. Reprint. In Critical Essays on Constance Fenimore Woolson, Cheryl Torsney, ed. New York:  G. K. Hall, 1992.

_______. “Refiguring A Literature of Place:  The Economics of Great Lakes Maritime Fiction.”  Ph.D. diss., University of Iowa, 1992.

_______.  “Introduction.” Constance Fenimore Woolson’s Nineteenth Century: Essays. Detroit: Wayne State University Press, 2001.

_______ and Sharon Dean. Constance Fenimore Woolson: Selected Stories and Travel Narratives. Knoxville: University of Tennessee Press, 2004.

_______. Constance Fenimore Woolson’s Subversive Politics. Washington, D.C.: Lexington Books, 2023.

Brodhead, Richard. Cultures of Letters:  Scenes of Reading and Writing in Nineteenth-Century America. Chicago: University of Chicago Press, 1993.

Brooks, Van Wyck.  The Times of Melville and Whitman.  New York:  Dutton, 1947.

_______.  The Dream of Arcadia:  American Writers and Artists in Italy, 1760-1915.  New York:  E. P. Dutton, 1958.

Brosman, Catharine Savage. “Constance Fenimore Woolson and the South.” South Carolina Review 41 (1) 2008: 80-101.

Brown, Katherine. “The Continuity of Loss: Constance Fenimore Woolson’s Rodman The Keeper: Southern Sketches.” MA Thesis, University of Georgia, 2005.

Buinicki, Martin T. “Imagining Sites of Memory in the Post-Civil War South: The National Cemetery in Woolson’s ‘Rodman the Keeper.’” In Witness to Reconstruction: Constance Fenimore Woolson and the Postbellum South, 1873-1894. Kathleen Diffley, ed. Jackson: University Press of Mississippi, 2011.

Buonomo, Leonardo. “The Other Face of History in Constance Fenimore Woolson’s Southern Stories.”  Canadian Review of American Studies 28: 3 (1998): 15-29.

_______.  “Another Time, Another Place: Florence in the Writings of Margaret Fuller, Caroline Kirkland, and Constance Woolson.” In The Poetics of Place: Florence Imagined, Jones and Haeussler, eds. Florence, Italy: Leo S. Olschki 2001.

_______. “Constance Fenimore Woolson: Anne.” The Literary Encyclopedia. 2005.

_______. “Constance Fenimore Woolson: Jupiter Lights.” The Literary Encyclopedia, 2008.

_______. “Raccontare la capitale: Roma negli scritti di Francis Marion Crawford e Constance Fenimore Woolson.” 2008.

Byttebier, Stephanie. “Grief’s Theatrical Tutelage: Drama, Recitation, and a Collaborative Sociability in Constance Fenimore Woolson’s “‘Miss Grief.’” Legacy 36 (1): 2019.

Caccavari, Peter. “Exile, Depatriation, and Constance Fenimore Woolson’s Traveling Regionalism.” In Women, America, and Movement: Narratives of Relocation, Susan Roberson, ed. Columbia:  University of Missouri Press, 1997.

Caddell, Jill S. “‘An Exchange of Territory’: Geography, Literature, and the American Civil War.” Ph.D. diss. Cornell University, 2015.

Calidemetrio, Alide. “Scelta di Citti: Venezia, Black Balloons and White Doves.” In
       Henry James e Venezia, Sergio Perosa, ed.  Firenze: Leo S. Olschi, 1987.

Campbell, Donna M. “Repudiating the ‘Age of the Carved Cherry-stones’: The Naturalists’ Reaction Against Women’s Local Color Fiction.”  Ph.D. diss. University of Kansas, 1990.

_______. Resisting Regionalism:  Gender and Naturalism in American Fiction,1885-1915.  Athens, OH: Ohio University Press, 1998.

Caracuta, Sonia. “The Italian Short Stories of Constance Fenimore Woolson.”  MA Thesis, University of Florence, 1997.

Castaldo, Denise M. “Negotiating the Power of a Woman’s Passion: Constance Fenimore Woolson’s Dialogues with Ralph Waldo Emerson, Nathaniel Hawthorne, and Henry James.” Ph.D diss., Drew University, 1998.

Castronovo, Russ. “Deconstructing Reconstruction.” American Literary History 30 (3): 2018.

Charlton, Ryan. “Our ice-islands”: Images of Alaska in the Reconstruction Era.” Journal of Transnational American Studies 10 (1): 2019.

Colbrunn, Ethel B. “Regionalism in the Works of Constance Fenimore Woolson.” MA Thesis, Ohio State University, 1941.

Colby, Elinor. The Woolsons of Claremont.  Claremont, New Hampshire:  New Hampshire Historical Society, 1983.

Comment, Kristin M. “The Lesbian ‘Impossibilities’ of Miss Grief’s ‘Armor.'” In Constance Fenimore Woolson’s Nineteenth Century: Essays, Victoria Brehm, ed.  Detroit: Wayne State University Press, 2001.

_______ “Beyond Romantic Friendship:  Female Homoeroticism in Nineteenth-Century American Literature.”  Ph.D. diss., University of Maryland College Park, 2002.

Cone, Helen Gray.  “Women in American Literature.”  The Century Magazine 40 (October 1890):  921-930.

Cordell, Sigrid Anderson. Fictions of Dissent: Reclaiming Authority in Transatlantic Women’s Writing of the Late Nineteenth Century. London: Pickering and Chatto, 2010.

Coulson, Victoria. “Teacups and Love Letters:  Constance Fenimore Woolson and Henry James.”  Henry James Review 26:1 (2005):  82-98.

_______. Henry James: Women and Realism. Cambridge: Cambridge University Press, 2007.

Coultrap-McQuin, Susan.  Doing Literary Business: American Women Writers in the Nineteenth Century. Chapel Hill, NC: University of North Carolina Press, 1990.

Covey, Cyclone. “The Lady in the ‘Beast in the Jungle’: Constance Fenimore Woolson.” In Gateway Essays. Winston-Salem, NC: Privately published, 2002.

Cowie, Alexander.  The Rise of the American Novel. New York: American Book Company, 1951:  568-578. Reprint. In Critical Essays on Constance Fenimore Woolson, Cheryl Torsney, ed.  New York: G. K. Hall, 1992.

Croghan, Melissa. Great Women of Mackinac, 1800-1950. Lansing: Michigan State University Press, 2023.

Crumbley, Paul. “Haunting the House of Print: The Circulation of Disembodied Texts in ‘Collected by a Valetudinarian’ and ‘Miss Grief.'”  In American Culture, Canons, and the Case of Elizabeth Stoddard, Smith and Weinauer, eds. Tuscaloosa, AL:  University of Alabama Press, 2003.

Dean, Sharon L. “Constance Fenimore Woolson and Henry James: The Literary Relationship.”  Massachusetts Studies in English 7 (1980): 1-9.

——-.  “Constance Fenimore Woolson’s Southern Sketches.”  Southern Studies 25 (Fall 1986):  274-283.

——-.  “Homeward Bound:  The Novels of Constance Fenimore Woolson.“  Legacy  6 (Fall 1989):  17-28.

——-.  “Women as Daughters; Women as Mothers in the Fiction of Constance Woolson.”  In Critical Essays on Constance Fenimore Woolson, Cheryl Torsney, ed.. New York: G.K. Hall & Company, 1992.

——-.  Constance Fenimore Woolson:  Homeward Bound. Knoxville: University of Tennessee Press, 1995.

_______.  “Constance Fenimore Woolson.” American Women Prose Writers, 1870-1920, Sharon Harris, ed. Dictionary of Literary Biography 221. Detroit:  Gale, 2000.

_______.  “Constance Fenimore Woolson: 1840-1894.”  In Heath Anthology of American Literature, 3d edition, vol. 2, Paul Lauter, ed. Boston: Houghton-Mifflin, 1998: 94-97.

_______.  “Edith Wharton’s Early Artist Stories and Constance Fenimore Woolson.” In Constance Fenimore Woolson’s Nineteenth Century: Essays, Victoria Brehm, ed. Detroit: Wayne State University Press, 2001.

_______. Constance Fenimore Woolson and Edith Wharton: Perspectives on Landscape  and Art. Knoxville: University of Tennessee Press, 2002.

_______ and Victoria Brehm. Constance Fenimore Woolson: Selected Stories and Travel Narratives.  Knoxville: University of Tennessee Press, 2004.

_______. “Constance Fenimore Woolson’s Unpublished Letters to Dr. William Wilberforce Baldwin.” Resources for American Literary Study, 31(1): 2006.

_______. The Complete Letters of Constance Fenimore Woolson. Gainesville: University Press of Florida, 2012.

Diffley, Kathleen. Where My Heart is Turning Ever: Civil War Stories and Constitutional Reform: 1861-1876. Athens: University of Georgia Press, 1992.

_______. “Clean Forgotten”:  Woolson’s Great Lakes Illustrated.”  In Constance Fenimore Woolson’s Nineteenth Century: Essays, Victoria Brehm, ed.  Detroit: Wayne State University Press, 2001.

_______.  To Live and Die: Collected Stories of the Civil War, 1861-1876. Durham: Duke University Press, 2002.

_______. Ed., Witness to Reconstruction: Constance Fenimore Woolson and the Postbellum South, 1873-1894. Jackson: University Press of Mississippi, 2011.

_______. “Cypresses, Chameleons, and Snakes: Displacement in Woolson’s ‘The South Devil.’” In Witness to Reconstruction: Constance Fenimore Woolson and the Postbellum South, 1873-1894. Kathleen Diffley, ed. Jackson: University Press of Mississippi, 2011.

_______. “People Who Remember: The American South and Woolson’s Postbellum Sojourns.” In Witness to Reconstruction: Constance Fenimore Woolson and the Postbellum South, 1873-1894. Kathleen Diffley, ed. Jackson: University Press of Mississippi, 2011.

_______. “Numbered, Numbered: Commemorating the Civil War Dead in Woolson’s ‘Rodman the Keeper.’” American Literary History, 30 (3): 2018.

Donahue, James, J.  “The Romanticism of the Foreign Character in the Short Stories of Constance Fenimore Woolson.” MA thesis, Catholic University of America, 1935.

Douglas [Wood], Ann. “The Literature of Impoverishment:  The Women Local Colorists in America 1865-1914.” Women’s Studies 1 (1972): 2-40.

Edel, Leon. Henry James:  The Middle Years, 1882-1895.  New York: Lippincott, 1962.

Edwards, Mary P. “Constance Fenimore Woolson.” In American Short Story Writers Before 1880, Dictionary of Literary Biography 74, Kimbel and Grant, eds. Detroit: Gale, 1988.

Elsden, Annamaria. Roman Fever: Domesticity and Nationalism in Nineteenth- Century American Women’s Writing. Columbus: Ohio State University Press, 2004.

_______. “‘A Modern and a Model Pioneer’: Civilizing the Frontier in Woolson’s ‘A Pink Villa.’” Witness to Reconstruction: Constance Fenimore Woolson and the Postbellum South, 1873-1894. Kathleen Diffley, ed. Jackson: University Press of Mississippi, 2011.

Ewell, Barbara, Pamela Menke, and Andrea Humphrey. Southern Local Color: Stories of Region, Race, and Gender. Athens: University of Georgia Press, 2002.

Faderman, Lillian, ed. “Constance Fenimore Woolson.” In Chloe Plus Olivia:  An Anthology of Lesbian Literature from the Seventeenth Century to the Present.  New York: Viking, 1994.

Formichella, Annamaria.  “Roman Fever:  Domesticity and Nationalism in Nineteenth-Century American Women’s Writing.”  Ph.D. diss., Tufts University, 1997.

Frever, Trinna S.  “‘The Women Writer and the Spoken Word’:  Gender and Orality in Turn of the Century Women’s Writing.”  Ph.D. diss., Michigan State University, 1998.

Friedman, George S.  “Reconstruction and Redemption in Selected American Novels.”  Ph.D. diss., Duke University, 1972.

Gabler-Hover, Janet. “The Portrait of a Southern Lady in Woolson’s For the Major.” In Witness to Reconstruction: Constance Fenimore Woolson and the Postbellum South, 1873-1894. Kathleen Diffley, ed. Jackson: University Press of Mississippi, 2011.

Gebhard, Caroline. “The Invention of Female Authorship in Nineteenth-Century America.” Ph.D.  diss., University of Virginia, 1991.

_______. “Constance Fenimore Woolson Rewrites Bret Harte:  The Sexual Politics of Intertextuality.” In Critical Essays on Constance Fenimore Woolson, Cheryl B. Torsney, ed.  New York: G.K. Hall & Company, 1992.

_______.  “Constance Fenimore Woolson.” Encyclopedia of American Poetry: The Nineteenth Century, Eric Hardson, ed. Chicago: Fitzroy Dearborn Publishers, 1998.

_______.  “Romantic Love and Wife-Battering in Constance Fenimore Woolson’s Jupiter Lights.”  In Constance Fenimore Woolson’s Nineteenth Century: Essays, Victoria Brehm, ed.  Detroit, MI: Wayne State University Press, 2001.

_______. “Woolson’s Two Women: 1862 : a Civil War Romance of Irreconcilable Difference.”  In Witness to Reconstruction: Constance Fenimore Woolson and the Postbellum South, 1873-1894. Kathleen Diffley, ed. Jackson: University Press of Mississippi, 2011.

Germana, Michael. “The Balances of Deceit; or, What Does Silver Mean to Me?: Woolson’s ‘Castle Nowhere’ and the Money Question during Reconstruction.” In Witness to Reconstruction: Constance Fenimore Woolson and the Postbellum South, 1873-1894. Kathleen Diffley, ed. Jackson: University Press of Mississippi, 2011.

Gerstenfeld, Donna L. K. “Constance Fenimore Woolson and Her Italian Stories: The Tragedy of Woman as Artist in the Nineteenth Century.” MA thesis, Georgetown University, 1999.

Gingras, Robert. “Constance Fenimore Woolson’s Literary Achievement as a Short Story Writer.”  Ph.D. diss., Florida State University, 1980.

_______. “‘Hepzibah’s Story’: An Unpublished Work by Constance Fenimore Woolson.” Resources for American Literary Study 10 (1980): 33-46.

Goodman, Charlotte Margolis. Constance Fenimore Woolson’s For the Major and Willa Cather’s A Lost Lady. American Literary Realism 41:2, 2009.

Gordon, Lyndall.  A Private Life of Henry James: Two Women and His Art. London: Chatto & Windus, 1998. Reprint. New York: Norton, 1999.

Gould, George M.  Life and Letters of Edmund Clarence Stedman, Vol. 1.  New York: Moffat, Yard, 1910.

Gowdey, Ellen Bird. “The Renunciative Heroine as Portrayed by Miss Constance Fenimore Woolson and Mr. William Dean Howells.”  Ph.D diss., Southern Methodist University, 1946.

Grasso, Linda.  “‘Behind a mask’: The Politics of Anger in Nineteenth-Century American Women’s Literature.”  Ph.D. diss., Brown University, 1993.

_______. “‘Thwarted Life, Mighty Hunger, Unfinished Work’: The Legacy of Nineteenth-Century Women Writing in America.”  American Transcendental Quarterly 8 (June 1994): 97-118.

Gray, Janet.  She Wields a Pen: American Women Poets of the 19^th Century. London:  J.M. Dent, 1996. Reprint. Iowa City: University of Iowa Press, 1997.

Gray, Stella Clifford. “The Literary Achievement of Constance Fenimore Woolson.”  Ph.D. diss., University of Wisconsin, 1957.

Grego, Edoarda.  “Luci e ombre: l’esperienza italiana de Constance Fenimore Woolson.”  MA thesis, University of Trieste, 1999.

______.  “The Instrusive Landscape Designer: Recreating ‘The Front Yard’ in Assisi.” Prospero 7(2000): 85-105.

_______.  “Down South: ‘Southern Races’ and Southern Questions in Woolson’s Fiction.” Prospero:  Revista de Culture Anglo-Germaniche 9 (2002): 71-85.

_______.  Realismo grottesco e ambiguità cultural-culinarie in Constance Fenimore Woolson. Trieste: openstarts, 2004.

Guilford, Miss Linda T. The Story of a Cleveland School, from 1848 to 1881. Boston: Cambridge, 1890.

Habegger, Alfred.  Gender, Fantasy and Realism in American Literature.  New York:  Columbia University Press, 1982.

Hale, Julie Elizabeth. “Creating the Appalachian Women: An Anthology of Women’s Appalachian Fiction, 1864-1884.” MA thesis, East Tennessee State University, 2005.

Hall Carolyn.  “An Elaborate Pretense for the Major: Making Up the Face of the Postbellum Nation.” Legacy 22:2 (2005): 144-157.

_______. “Poking King David in His Imperial Eye/‘I’: Woolson Takes On the White Man’s Burden in the Postbellum United States.” Witness to Reconstruction: Constance Fenimore Woolson and the Postbellum South, 1873-1894. Kathleen Diffley, ed. Jackson: University Press of Mississippi, 2011.

Harding, Julie. “Beautiful Beatrice, Blossoming Lily, Exchanging Silver, and Marrying Marian: Motherless Daughters, Incest, Exchange, and the Symbolic in Nineteenth-Century American Literature.” MA thesis, Drew University, 2005.

Hardwick, Elizabeth. “Introduction.” Anne. New York: Arno, 1977.

Harrell, Gavin Gerard. “Arlington’s Freedmen’s Village: Becoming Untethered.” Ph.D. diss., Liberty University, 2022.

Hay, John. The Bread-Winners.  London: F. Warne & Co., 1883.

Hayat, Jeannine. “Fiction ou réalité: Les biographies de Constance Fenimore Woolson.”

Revue LISA/LISA 619, 2005.

_______“Ecrire et souffrir: L’inspiration partagée de Constance Fenimore Woolson et de Henry James.” Revue LISA/LISA, January 1, 2007.

_______. “Chronologie de la vie et des œuvres de Constance Fenimore Woolson.” Revue LISA/LISA 628, 2007.

Healey, Christina. “Excavating the landscapes of American Literature: Archaeology, Antiquarianism, and the Landscape in American Women’s Writing, 1820–1890.” Ph.D. diss., University of New Hampshire, 2009.

_______. “The Antiquary and Literary Criticism in the Short Stories of Constance Fenimore Woolson.” Legacy, 29 (2): 2012.

Helmick, Evelyn Thomas. “Constance Fenimore Woolson:  First Novelist of Florida.”  In Feminist Criticism:  Essays on Theory, Poetry, and Prose, Brown and Olson, eds. Reprint. The Carrell 10 (1969): 8-18. Metuchen, N.J.: Scarecrow, 1978.

Hemm, Ashley N. “‘In my fiction I never say anything which is not absolutely true’”: Reassessing Constance Fenimore Woolson’s Literary Realism.” MA thesis, University of New Orleans, 2015.

Hervey, John.  “Sympathetic Art.” Saturday Review of Literature 12 (October 1929): 268. Reprint. In Critical Essays on Constance Fenimore Woolson, Cheryl Torsney, ed.  New York:  G. K. Hall, 1992.

Hogeland, Lisa Maria, and Mary Klages. “Constance Fenimore Woolson.” The Aunt Lute Anthology of US Women Writers. San Francisco: Aunt Lute Books, 2004.

Hollingsworth, Helen, and O’Donnell, Kevin.  Seekers of Scenery: Travel Writing from Southern Appalachia. Knoxville: University of Tennessee Press, 2004.

Honour, Hugh, and John Fleming. The Venetian Hours of Henry James, Whistler, and Sargent. Boston: Little Brown, 1991.

Hubbell, Jay B. “Some New Letters of Constance Fenimore Woolson.” New England Quarterly 14 (December 1941): 715-735.

_______.  The South in American Literature, 1607-1900. Durham: Duke University Press, 1954. Reprint. In Critical Essays on Constance Fenimore Woolson, Cheryl Torsney, ed.  New York:  G. K. Hall, 1992.

Hutchinson, Coleman, ed. A History of American Civil War Literature. New York: Cambridge University Press, 2018.

Ikuko, Takeda. “The Confederate Stories of America: The Short-Story Cycle and the Representation of the American South.” Ph.D. diss., Louisiana State University and Agricultural & Mechanical College, 2021.

Ingham, Mrs. W. A.  Women of Cleveland and Their Work, Philanthropic, Educational, Literary, Medical, and Artistic.  Cleveland: Ingham, 1893.

James, Henry. “Miss Woolson.” Harper’s Weekly 31 (February 12, 1887): 114-115. Reprint. In Partial Portraits. London: Macmillan & Company, 1888, 1894; New York: Macmillan, 1899; in Women Artists, Women Exiles: “Miss Grief” and Other Stories,” Joan Weimer, ed. New Brunswick: Rutgers University Press, 1988.

James, Henry. Letters, Vol. 3, Leon Edel, ed. Cambridge: Harvard University Press, 1980.

James, William. The Correspondence of William James. Vol. 2:  William and Henry, 1885-1896.  Blacksburg:  University Press of Virginia, 1993.

Jang, Ki Yoon. “American Regionalism and Its Discontents in Constance Fenimore Woolson’s ‘In Sloane Street.’”  English American Cultural Studies 18 (1): 2018.

Justice, Jacqueline. “Erie’s Hidden Treasure: C. F. Woolson and the Lake Erie Islands.” Inland Seas 70 (3 Fall 2014): 236-241.

_______. “The Lesson of the Storm, Shipwreck, Providence, and American Identity in the Great Lakes Fiction of Constance Fenimore Woolson.” Studies in American Fiction, 45 (1): 2018.

_______. “Landscapes of Resistance: Polar Allusion and the Northern Frontier in the Fiction of Constance Fenimore Woolson.” ESQ: A Journal of Nineteenth-Century American Literature and Culture. 66 (3): 2020.

Kaplan, Fred.  Henry James: The Imagination of Genius. New York: William Morrow and Co., 1992.

Kennedy, Elizabeth Marie. “Constance Fenimore Woolson and Henry James: Friendship and Reflections.”  Ph.D. diss., Yale University, 1983.

Kennedy, X. J.  “The Ballad of Fenimore Woolson and Henry James.” Hudson Review 46 (Summer 1993):  294-299. Reprint. The Lords of Misrule: Poems 1992-2001. Baltimore: Johns Hopkins University, 2002.

_______. “Henry James after the Death in Venice of Constance Fenimore Woolson: For RS Gwynn.” The Sewanee Review, 2006.

Kennedy-Nolle, Sharon. “‘An Unstable Interlude’:  Reconstruction of the South, the Nation, and its Citizenry.”  Ph.D. diss., University of Iowa, 1998.

_______.  “‘We are Most of Us Dead Down Here’: Constance Fenimore Woolson’s Travel Writing and the Reconstruction of Florida.”  In Constance Fenimore Woolson’s Nineteenth Century: Essays, Victoria Brehm, ed. Detroit:  Wayne State University Press, 2001.

_______. “The Merits of Transit: Woolson’s Return to Reconstruction in Jupiter Lights.” In Witness to Reconstruction: Constance Fenimore Woolson and the Postbellum South, 1873-1894. Kathleen Diffley, ed. Jackson: University Press of Mississippi, 2011.

_______. Writing Reconstruction: Race, Gender, and Citizenship in the Postwar South. Chapel Hill: The University of North Carolina Press, 2015.

Kern, John Dwight.  Constance Fenimore Woolson:  Literary Pioneer.  Philadelphia: University of Pennsylvania Press, 1934. Reprint. In Critical Essays on Constance Fenimore Woolson, Cheryl Torsney, ed.  New York: G. K. Hall, 1992.

Kitterman, Mary P. Edwards. “Henry James and the Artist Heroine in the Tales of Constance Fenimore Woolson.” In Nineteenth-Century Women Writers of the English-Speaking World.  Westport: Greenwood, 1986.

Kleitz, Katharine Agnes.  The Italian World of Art in Nineteenth-Century English and American Literature. Ph.D. diss., Tufts University, 1988.

Kreiger, Georgia. “East Angels: Constance Fenimore Woolson’s Revision of Henry James’s The Portrait of a Lady.” Legacy 22:1 (2005): 18-29.

Livsey, Margaret.  Castle Nowhere:  Lake Country Sketches. Ann Arbor:  University of Michigan Press, 2004.

Lodge, David. Author, Author.  New York: Viking, 2004.

Looby, Christopher and Cindy Weinstein. American Literature’s Aesthetic Dimensions. New York: Columbia University Press, 2012.

Lowe, John. “Nineteenth-Century Southern Writers and the Tropical Sublime.” Southern Quarterly 48 (3): 2011.

_______. “Constance Fenimore Woolson and the Origins of the Global South.” In Witness to Reconstruction: Constance Fenimore Woolson and the Postbellum South, 1873-1894. Kathleen Diffley, ed. Jackson: University Press of Mississippi, 2011.

_______. Calypso Magnolia: The Crosscurrents of Caribbean and Southern Literature. Durham: University of North Carolina Press, 2016.

_______. “Not-So-Still Waters: Travelers to Florida and the Tropical Sublime.” The Oxford Handbook of the Literature of the U.S. South. Hobson and Ladd, eds. New York: Oxford University Press, 2016.

Lupold, Harry Forrest.  “Constance Fenimore Woolson and the Genre of Regional Fiction.” Ohioana Quarterly 29 (Winter 1986): 132-136.

McEntee, Grace. “‘Have You Not Heard of Baptiste?’”: Educating the Reader in Constance Fenimore Woolson’s “‘Jeannette.’” American Literary Realism 47 (2): 2015.

McIntre, Rebecca. “Promoting the Gothic South.” Southern Cultures 11(2): 2005.

McKee, Kathryn. Reading Reconstruction: Sherwood Bonner and the Literature of the Post-Civil War South. Baton Rouge: Louisiana State University Press, 2019.

McSherry, Frank D., Charles Waugh, and Martin Harry Greenberg. Civil War Women: American Women Shaped by Conflict in Stories by Alcott, Chopin, Welty, and Others. Little Rock: August House, 1988.

Maguire, Elizabeth. The Open Door, a Novel.  New York: Other Press, 2008.

Marino, E. “Exploring the Frontier: The Great Lake [sic] Region in the Narratives of Constance Fenimore Woolson.” Writers Editors Critics 11(2): 2021.

_______. “The Challenges of Post-Civil War Reconstruction: Rodman the Keeper: Southern Sketches by Constance Fenimore Woolson.” B.A.S. British and American Studies 28 (28): 2022.

Matheson, Neill. “Constance Fenimore Woolson’s Anthropology of Desire.” Legacy, 26 (1): 2009.

Matsukawa, Yuko.  “The Cartography of Expatriation: Mapping the American Girl Abroad in Fiction 1874-1915.”  Ph.D. diss., Brown University, 1995.

_______. “On Women and Art: Henry James’s ‘Miss Woolson,’ ‘The Lesson of the Master,’ and Constance Fenimore Woolson’s ‘In Sloane Street.’”  Ritsumeikan-bungaku No. 588, 2005.

_______. “Defining the American Flâneuse: Constance Fenimire Woolson and ‘A Florentine Experiment.’” The Japanese Journal of American Studies, 2008.

Mauro, Gabriella, ed. and trans. Racconti Italiani. Rome: Opere Nuove, 1996.

Milledge, Luetta U.  “Theme and Characterization in the Fiction of Constance Fenimore Woolson.”  Ph.D. diss., University of Georgia, 1971.

Miller, James E. Jr., ed.  “Constance Fenimore Woolson.” In Heritage of American Literature, vol. 2.  New York: Harcourt 1991.

Mizruchi, Susan. The Rise of Multicultural America: Economy and Print Culture, 1865-1915. Chapel Hill: University of North Carolina Press, 2009.

Moore, Rayburn S. Constance F. Woolson.  New York: Twayne, 1963.

_______.  “Constance Fenimore Woolson (1840-1894).” American Literary Realism 3 (1968): 36-38.

_______.  For the Major and Selected Short Stories by Constance Fenimore Woolson.  New Haven, CT:  New College and University Press, 1967.

_______.   “The Strange Irregular Rhythm of Life:  James’s Late Tales and Constance Woolson.”  South Atlantic Bulletin 41 (1976):  86-93.

Murphy, Geraldine. “Northeast Angels: Henry James in Woolson’s Florida.” In Witness to Reconstruction: Constance Fenimore Woolson and the Postbellum South, 1873-1894. Kathleen Diffley, ed. Jackson: University Press of Mississippi, 2011.

_______. “Publishing Scoundrels: Henry James, Vernon Lee, and ‘Lady Tal.’” Henry James Review 31.3 (2010): 280-287.

Myers, Joshua. “Provincial Ecology: Rural Environments and the Isolated Imaginary of American Literature.” Ph.D. diss., Louisiana State University, 2019.

Norwich, John Julius. Paradise of Cities: Venice in the Nineteenth Century. New York: Random House, 2003.

Nunnery, Katie. “Fin-de-Siècle Decadent Writing and the Queerness of Childhood.” Ph.D. diss., University of Connecticut, 2020.

O’Brien, Edward J.  The Advance of the American Short Story. New York: Dodd, Mead, 1931. Reprint. In Critical Essays on Constance Fenimore Woolson, Cheryl Torsney, ed.  New York: G. K. Hall, 1992.

O’Donnell, Kevin. “‘Pioneers of Spoliation’: Woolson’s Horace Chase and the Role of Magazine Writing in the Gilded-Age Development of the South.” In Witness to Reconstruction: Constance Fenimore Woolson and the Postbellum South, 1873-1894.  Kathleen Diffley, ed. Jackson: University Press of Mississippi, 2011.

_______. and Helen Hollingsworth. Seekers of Scenery: Travel Writing from Southern Appalachia.  Knoxville: University of Tennessee Press, 2004.

Parrott, Sara Foose. “Expatriates and Professionals: The Careers in Italy of Nineteenth-Century-American Women Writers and Artists.”  Ph.D. diss., George Washington University, 1988.

Pattee, Fred Lewis. A History of American Literature Since 1870.  New York: Century, 1915. Reprint. In Critical Essays on Constance Fenimore Woolson, Cheryl Torsney, ed.  New York: G. K. Hall, 1992.

_______.  “Constance Fenimore Woolson and the South.”  The South Atlantic Quarterly 38 (April 1939): 130-141.

Pearson, John H.  “Constance Fenimore Woolson’s Critique of Emersonian Aesthetics.” In Constance Fenimore Woolson’s Nineteenth Century: Essays, Victoria Brehm, ed.  Detroit: Wayne State University Press, 2001.

_______. “Henry James, Constance Fenimore Woolson, and the Fashioning of Southern Identity.” In Witness to Reconstruction: Constance Fenimore Woolson and the Postbellum South, 1873-1894. Kathleen Diffley, ed. Jackson: University Press of Mississippi, 2011.

Pérez, Roy. “Queer Mediums: The Cultural Politics of Figuration in Latina Literature and Performance.” Ph.D. diss., New York University 2012.

Perkin, J. Russell. “Imagining Henry: Henry James as a Fictional Character in Colm Tóbín’s The Master and David Lodge’s Author, Author.” Journal of Modern Literature 33.2 (2010): 114-130.

Petry, Alice Hall.  “Always Your Attached Friend”:  The Unpublished Letters of Constance Fenimore Woolson to John and Clare Hay.  Providence:  Books at Brown, 1982-1983:  11-107.

Pizer, Donald. American Realists and Naturalists.  Detroit: Gale Research, 1982.

Pollard, Stephen. “Ethical Guidance from Literature and Mathematics.” The Journal of Speculative Philosophy 31 (4): 2017.

Pyron, John E., Jr.  “American Romance and Italian Reality in the Nineteenth Century.”  Ph.D. diss., University of Pittsburg, 1973.

Quinn, Arthur Hobson. American Fiction: An Historical and Critical Survey. New York: Appleton-Century, 1936. Reprint. In Critical Essays on Constance Fenimore Woolson, Cheryl Torsney, ed.  New York:  G. K. Hall, 1992.

Radivinsky, Lisa. “Negotiating Models of Authorship: Elizabeth Stoddard’s Conflicts and Her Story of Her Complaint.”  In Constance Fenimore Woolson’s Nineteenth Century: Essays, Victoria Brehm, ed.  Detroit: Wayne State University Press, 2001.

Railton, Ben. Contesting the Past, Reconstructing the Nation: American Literature and Culture in the Gilded Age, 1876–1893.  Montgomery: University of Alabama Press, 2011.

Randall, Bryony. “‘Everything Depend[s] on the Fashion of Narration’: Women Writing Women Writers in Short Stories of The Fin-De-Siècle.” Cross-Gendered Literary Voices: Appropriating, Resisting, Embracing. Kim and Westall, eds. New York: Palgrave Macmillan, 2012.

Reich, Kathleen J. “The Woolson Caricatures.” Studies in American Humor 3:9 (2002): 83-92.

Richardson, Lyon N.  “Constance Fenimore Woolson, ‘Novelist Laureate’ of America.” South Atlantic Quarterly 39 (January 1940):  20-36. Reprint. In Critical Essays on Constance Fenimore Woolson, Cheryl Torsney, ed. New York: G. K. Hall, 1992.

Roberson, Susan, ed. Women, America, and Movement:  Narratives of Relocation.  Columbia: University of Missouri Press, 1998.

_______. “Geographies of Expansion: Nineteenth-Century Women’s Travel Writing.” In Inventing Destiny: Cultural Explorations of US Expansion. Jimmy L. Bryan, Jr. ed. Lawrence: University Press of Kansas, 2019.

Rowe, Anne E. “The Changing Northern Attitude Toward the Post-Bellum South as Exemplified in the Writings of John DeForest, Albion Tourgee, Constance Woolson, and Lafcadio Hearn.” Ph.D. diss., University of North Carolina at Chapel Hill, 1973.

_______. “Constance Fenimore Woolson and Southern Local Color.” In The Enchanted Country:  Northern Writers in the South 1865-1910.  Baton Rouge:  Louisiana State University Press, 1978. Reprint. In Critical Essays on Constance Fenimore Woolson, Cheryl Torsney, ed.  New York: G. K. Hall, 1992.

Salenius, Sirpa. “Dreams and Shadows: Constance Fenimore Woolson’s Italy.” In American Authors Reinventing Italy: The Writings of Exceptional Nineteenth-Century Women. Sirpa Salenius, ed. Padua, Italy: Prato, 2009.

Schmidt, Peter. Sitting in Darkness:  New South Fiction, Education, and the Rise of Jim Crow Colonialism, 1865-1920. Jackson: University Press of Mississippi, 2008.

Schriber, Mary Suzanne. Telling Travels: Selected Writings by Nineteenth-Century American Women Abroad.  DeKalb: Northern Illinois University Press, 1995.

_______. Writing Home:  American Women Abroad, 1830-1920. Charlottesville: University Press of Virginia, 1997.

Scriptunas, Melanie K. “The Evolution of Appalachian Literature, 1870-1900.” Ph.D. diss., University of Delaware, 2014.

Seinfelt, Mark. Final Drafts: Suicides of World-Famous Authors. Amherst: Prometheus Books, 1999.

Shahmoradi, Linda D. “Constance Fenimore Woolson’s Characters of the South.” MA thesis, East Tennessee State University, 1973.

Showalter, Elaine. A Jury of Her Peers: Celebrating American Women Writers from Anne Bradstreet to Annie Proulx. New York: Vintage, 2009.

_______, ed. The Vintage Book of American Women Authors. New York: Vintage, 2011.

Simms, L. Moody, Jr.  “Constance Fenimore Woolson on Southern Literary Taste.”  Mississippi Quarterly 22:4 (Fall 1969): 362-366.

Simpson, Claude M.  The Local Colorists:  American Short Stories, 1857-1900.  New York:  Harper, 1960.

Smith, Robert McClure, ed.  “Haunting the House of Print: The Circulation of Disembodied Text in ‘Collected by a Valetudinarian’ and ‘Miss Grief.'”  In American Culture, Canons, and the Case of Elizabeth Stoddard, Smith and Weinauer, eds. Tuscaloosa: University of Alabama Press, 2000.

Sofer, Naomi Ziva. “Rites of Authorship:  Gender and Religion in the American Literary Imagination.”  Ph.D. diss., Boston University, 2000.

_______.  Making the “America of Art”: Cultural Nationalism and Nineteenth-Century Women Writers.  Columbus: Ohio State University Press, 2005.

Stanton, Carol Ann McGowan. “Transitional Women in the Southern Works of Constance Fenimore Woolson.”  MA thesis, College of William and Mary, 1962.

Stavisky, Katherine.  “Landscape and Late Nineteenth–Century American Travel History.”  Ph.D. diss., West Virginia University, 1998.

Steeves, Edna L. “Constance Fenimore Woolson: First Novelist of Florida.” In Feminist Criticism:  Essays on Theory, Poetry, and Prose, Brown and Olson, eds. Metuchen, N.J: Scarecrow Press, 1978.

Stephen, Peter Morris. “Comparative Value Systems in the Fiction of Constance Fenimore Woolson.”  Ph.D. diss., University of New Mexico, 1976.

Storey, Mark. Rural Fictions, Urban Realities: A Geography of Gilded Age American Literature. New York: Oxford University Press. 2013.

Strouse, Jean. Alice James: A Biography.  Boston: Houghton Mifflin, 1980.

Sweet, Timothy. “Geology and Genre in Woolson’s Southern Travel Sketches.” In Witness to Reconstruction: Constance Fenimore Woolson and the Postbellum South, 1873-1894. Kathleen Diffley, ed. Jackson: University Press of Mississippi, 2011.

_______. Literary Cultures of the Civil War. Athens: University of Georgia Press, 2016.

_______. “‘You Talk Like a Book’”: Constance Fenimore Woolson’s Civil War Poetry and the Regionalization of Speech.” J19: The Journal of Nineteenth-Century Americanists 5(1): 2017.

_______. “Reconstruction Georgic and Vernacular Voice Poetry.” American Literary History 30 (3): 2018.

_______. “‘A shady retreat’”: Short Prose Geology and Genre in Woolson’s Southern Travel Sketches.” In In Witness to Reconstruction: Constance Fenimore Woolson and the Postbellum South, 1873-1894.  Kathleen Diffley, ed. Jackson: University Press of Mississippi, 2011.

Swett, Katherine. “Improper Places: Scenery Fiction in the Works of Nathaniel Hawthorne, William Dean Howells, Constance Woolson, and Henry James.”  Ph.D. diss., Columbia University, 1995.

________.  “Corinne Silenced:  Improper Places in the Narrative Form of Constance Fenimore Woolson’s East Angels.” In Constance Fenimore Woolson’s Nineteenth Century: Essays, Victoria Brehm, ed.  Detroit: Wayne State University Press, 2001.

Szczesiul, Anthony. “Reconstructing Southern Hospitality.” In Witness to Reconstruction: Constance Fenimore Woolson and the Postbellum South, 1873-1894.  Kathleen Diffley, ed. Jackson: University Press of Mississippi, 2011.

Tancredi, Katherine. “Constance Fenimore Woolson:  Her Life and Her Work.” Ph.D. diss., Florida Atlantic University, 1993.

Tanner, Tony. Venice Desired. Cambridge, MA: Harvard University Press, 1992.

Tehan, Sheila. “What ‘Miss Grief’ Knew.” Arizona Quarterly: A Journal of American Literature, Culture, and Theory 77 (2): 2021.
Tennant, Emma. Felony: The Private History of The Aspern Papers: A Novel. London: Jonathan Cape, 2002.

Terry, Annie Wilson.  “Constance Fenimore Woolson as a Local Color Writer.” MA thesis, University of North Carolina at Chapel Hill, 1935.

Thomas, Brook. The Literature of Reconstruction: Not in Plain Black and White. Baltimore: Johns Hopkins University Press, 2017.

_______. “The Galaxy, National Literature, and Reconstruction.” Nineteenth-Century Literature 75 (1): 2020.

Torpos, Marie-Aude. “‘Miss Grief’” (1880) by Constance Fenimore Woolson and “Lady Tal” (1892) by Vernon Lee: A Comparative Study.” The Sibyl: A Journal of Vernon Lee Studies, thesibylblog.com.

Torsney, Cheryl B.  “In Anticipation of the Fiftieth Anniversary of the Woolson House.” Legacy 2 (Fall 1985):  72-73.

_______.  “‘Miss Grief’ by Constance Fenimore Woolson.”  Legacy 4:1 (Spring 1987): 11-25.

_______.  “The Traditions of Gender:  Constance Fenimore Woolson and Henry James.” In Patrons and Proteges:  Gender, Friendship, and Writing in Nineteenth-Century America, Shirley Marchalonis, ed.  New Brunswick: Rutgers University Press, 1988. Reprint. In Critical Essays on Constance Fenimore Woolson, Cheryl Torsney, ed.  New York: G. K. Hall, 1992.

_______.  Constance Fenimore Woolson: The Grief of Artistry. Athens, GA: University of Georgia Press, 1989.

_______, ed. Critical Essays on Constance Fenimore Woolson.  New York: G.K. Hall, 1992.

_______.  “The Strange Case of the Disappearing Woolson Memorabilia.” Legacy 11(1994):  143-151.

_______.  “Fern Leaves From Connie’s Portfolio.” In Constance Fenimore  Woolson’s Nineteenth Century: Essays, Victoria Brehm, ed.  Detroit: Wayne State University Press, 2001.

_______.  “‘Whenever I Open a Book and See ‘Hoot, Mon,’ I Always Close it Immediately”:  Constance Fenimore Woolson’s Humor.” Studies in American Humor 3:9(2002): 69-81.

_______. “Zephaniah Swift Spalding: Constance Woolson’s Cipher.” In Witness to Reconstruction: Constance Fenimore Woolson and the Postbellum South, 1873-1894. Kathleen Diffley, ed. Jackson: University Press of Mississippi, 2011.

Tracey, Karen. “Constance Fenimore Woolson.”  In Nineteenth-Century American Women Writers:  A Bio-Bibliographical Critical Sourcebook, Denise D. Knight, ed. Westport:  Greenwood, 1997.

Tsimpoukil, Theodora. “Agency in Complicity: The Aesthetics of Trauma in Constance Fenimore Woolson’s “‘Miss Grief’.” In Literature and Psychology: Writing, Trauma, and the Self. Önder Çakırtaş, ed.  Newcastle upon Tyne: Cambridge Scholars Publishing, 2019.

Van Bergen, Carolyn.  “Constance Fenimore Woolson and the Next Country.” Western Reserve Studies X (1988): 86-92. Reprint. Transplanting and Innovating: New Patterns on the Reserve, 1830-1880, Gladys Haddad, ed. Painesville: Lake Erie College Press, 1987.

_______. “Legal Tender: The Search for a Just Social Economy in the Novels of Constance Fenimore Woolson.”  Ph.D. diss., University of Rochester, 1991.

_______.  “Getting Your Money’s Worth: The Social Marketplace in Horace Chase.” In Critical Essays on Constance Fenimore Woolson, Cheryl Torsney, ed. New York:  G.K. Hall & Company, 1992.

Van Tassel, David. D., and John J. Grabowski, editors. “Constance Fenimore Woolson. The Encyclopedia of Cleveland History. Cleveland:  Western Reserve University, 1938.

Van Wickham, Gertrude. “Dogs of Noted Americans:  Part I.” St. Nicholas Magazine 15 (June 1888): 597-598.

Vance, William. America’s Rome. 2 vols.  New Haven, CT: Yale University Press, 1989.

Vickers, J. F.  “Woolson’s Response to James: The Vindication of the American Heroine.” Women’s Studies: An Interdisciplinary Journal 18:2-3 (1990): 287-294.

Voeller, C. R. “Roman Fever: Domesticity and Nationalism in Nineteenth-Century American Women’s Writing.” Legacy 25 (1): 2008.

Wadsworth, Sara. “Constance Fenimore Woolson.” In American Travel Writers, Ross and Schramer, eds.  Dictionary of Literary Biography 189. Detroit: Gale 1998.

_______. “Canonicity and the American Public Library: The Case of American Women Writers.” Library Trends 60:4 (2012): 706-728.

Wagenknecht, Edward.  Cavalcade of the American Novel:  From the Birth of the Nation to the Middle of the Twentieth Century.  New York:  Henry Holt, 1952. Reprint. In Critical Essays on Constance Fenimore Woolson, Cheryl Torsney, ed.  New York:  G. K. Hall, 1992.

Wayne, Heather. “Gilded Chains: Global Economies and Gendered Arts in US Fiction,” 1865-1930. Ph.D. diss., University of Massachusetts Amherst, 2019.

Weddel, Anna Louise.  “Internationalism in the European Short Stories of Constance Fenimore Woolson.”  Ph.D. diss., Texas A&M University, 1974.

Weekes, Karen. “Northern Bias in Constance Fenimore Woolson’s  Rodman the Keeper.” Southern Literary Journal  32:2 (2000): 102-15.

Weimer, Joan Myers.  “Women Artists as Exiles in the Fiction of Constance Fenimore Woolson.”  Legacy:  A Journal of Nineteenth-Century Women Writers 3 (Fall 1986): 3-15.

_______.  Women Artists, Women Exiles:  “Miss Grief” and Other Stories.”  New Brunswick:  Rutgers University Press, 1988.

_______.  “The ‘Admiring Aunt’ and the ‘Proud Salmon of the Pond’:  Constance Fenimore Woolson’s Struggle with Henry James.”  In Critical Essays on Constance Fenimore Woolson, Cheryl Torsney, ed.  New York:  G.K. Hall & Company, 1992.

_______.  “A Tale of a Haunted Biographer:  Intimate Knowing.” Belles Lettres 10 (Summer 1995): 32-35.

_______.  Back Talk:  Teaching Lost Selves to Speak.  New York:  Random House, 1994.  Reprint. Chicago: University of Chicago Press, 1996.

Weir, Sybil B. “Southern Womanhood in the Novels of Constance Fenimore Woolson.” Mississippi Quarterly 29:4 (Fall 1976):  559-568. Reprint. In Critical Essays on Constance Fenimore Woolson, Cheryl Torsney, ed. New York:  G. K. Hall, 1992.

Wells, Jonathan Daniel. Women Writers and Journalists in the Nineteenth-Century South. New York: Cambridge University Press, 2011.

White, Robert L. “Cultural Ambivalence in Constance Fenimore Woolson’s Italian Tales.” Tennessee Studies in Literature 12 (1967): 121-129. Reprint. In Critical Essays on Constance Fenimore Woolson, Cheryl Torsney, ed. New York:  G. K. Hall, 1992.

White-Vidarte. Elizabeth Justine. “Disability, Dependency, and the Mind: Representations of Care-Giving and Receiving.” Ph.D. diss., Temple University, 2021.

Williams, Susan S. “Epilogue: Amateurs and Professionals in Woolson and James.” In Reclaiming Authorship: Literary Women in America, 1850-1900. Philadelphia: University of Pennsylvania Press, 2006.

Winter, Cameron Lee. “The Monstrous Tinder-Dry Rotten Shell”: The Ruination and Destruction of the Plantation Big House in the Literature of the U.S. South, 1865-1939.” Ph.D. diss., University of Georgia, 2022.

Wright, Elizabethada A. “Keeping Memory: The Cemetery and Rhetorical Memory in Constance Fenimore Woolson’s ‘Rodman The Keeper.” In Studies in the Literary Imagination 39:1 (Spring 2006): 29-54.

Wyatt-Brown, Bertram.  Hearts of Darkness: Wellsprings of a Southern Literary Tradition.  Baton Rouge: Louisiana State University Press, 2003.

_______. Shaping of Southern Culture: Honor, Grace, and War, 1760s-1890s.

Youel, Barbara Kraley. “From Text to Hypertext : Constance Fenimore  Woolson’s  “‘Wilhelmina.'” Ph.D. diss, Case Western Reserve University, 2001.

Zavalas, Stacey Marie. “Scribbling on the Angel.”  MA thesis, Drew University, 1998.